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If he doubted her insanity at all his suspicion had no stiffer ground than the shallow sand on which reposed his hope[Pg 327] that she was acting. Throughout this passage he did not think to consider her as the child of a great actress. To him she had always been a gentle, sweet, undemonstrative girl, ingenuous in speech, kind, charitable, beloved by the poor, one whose pursuits were amiable and pure. She was nimble and poetical with her pencil. She sang pretty songs prettily. Her beauty informed with a colour of its own the melodies her fingers evoked from the keys or strings of the instruments she touched. He could not think of her as having the talents of an actress, or even the tastes of one. He had never heard of her taking a part in a performance above a charade. Nothing, therefore, but madness or an extraordinary dramatic genius which it was impossible for him to think of her as possessing, could create those parts which she had enacted before him in a manner so immoderately life-like, so absolutely in unison with what he himself could conceive of the behaviour of madness, that deep in his soul might be found the conviction that she had lost her reason, and that his passionate, unprincipled love was the cause of it. Maddoc was silent for a moment. Then his square chin shot forward. Mr Lawrence supped alone as he had dined alone, and, as he intended, to breakfast alone. At sea the last meal which in the old forecastle days consisted of black tea and ship's[Pg 296] biscuit was invariably called supper. At six o'clock Mr Lawrence sat down to the last meal of the day. A tray for the inmate of the Captain's cabin was prepared. It was furnished with tea and milk (for the ship was but one day out, and though she wanted a cow she could not need at least a day's supply of milk), bread and butter, slices of ham and biscuits. When the steward came from the cabin Mr Lawrence said: "Did the young lady speak?".
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In the case of the sheet Mr Greyquill held, it had been folded to resemble a letter, but it had not been made one; it bore no address, and the communication started at once without the prefatorial "Dear sir," or the like, and it closed without signature or initials. But Mr Greyquill immediately saw that the handwriting in pencil was Mr Lawrence's, and that the document must have fallen from that gentleman's pocket just now when they parted. Billy's hand went down into his trouser's pocket. "Look," he comforted, "I've got my rabbit-foot charm, an' I'm goin' to draw a magic circle 'round the stump you're settin' on. No snakes, owl, ner even old Scroggie's ghost kin get inside that circle." "There's no good in threatening us with your armed crew. We agreed for Kingston," said a voice. For a time they lay gasping and quivering. Maurice Keeler was the first to speak. "Say, Bill," he shivered, "is it light enough fer you to see if the hair is scorched off one side o' my head? That—that ghost's breath shot blue flame square in my face.".
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